William “Dead” Kennedy is in trouble. He’s thirty-two, in love with his ex-wife, has lost his job, and he’s been dreaming about ghost roads again. Sometimes a guy is haunted for a really good reason.

— Nebula and World Fantasy Award finalist
— A Book Sense Notable Book
— Best of the Year: Booklist, Locus, San Francisco Chronicle
— A Locus bestseller

Sean Stewart’s much-anticipated eighth novel is a dark, funny, fast-moving thriller that you won’t want to put down. William “Dead” Kennedy has problems. He’s haunted by family, by dead people with unfinished business, and by those perfect pop songs that you can’t get out of your head. He’s a 32-year-old Texan still in love with his ex-wife. He just lost his job at Pet-Co for eating cat food. His air-conditioning is broken, there’s no good music on the radio, and he’s been dreaming about ghost roads.

When Will’s cousin (“My dad married your Aunt Dot’s half-sister”) calls in the middle of the night about a dead girl haunting his garage, it seems like an easy way to make a thousand dollars. But nothing is ever that simple, especially when family is involved. Will’s mother is planning a family reunion of epic proportions. Will’s ex-wife is married to a former Marine. His twelve-year-old daughter Megan thinks Will needs someone to look after him. And recently his dead relatives seem to want something from him.

A civilization-destroying omega cloud has switched direction, heading straight for a previously unexplored planetary system–and its alien society. And suddenly, a handful of brave humans must try to save an entire world–without revealing their existence.

A young man in his teens is transported from our world to a magical realm that contains seven levels of reality. Very quickly transformed by magic into a grown man of heroic proportions, he takes the name Able and sets out on a quest to find the sword that has been promised to him, a sword he will get from a dragon, the one very special blade that will help him fulfill his life ambition to become a knight and a true hero.
Inside, however, Able remains a boy, and he must grow in every sense to survive the dangers and delights that lie ahead in encounters with giants, elves, wizards, and dragons. His adventure will conclude next year in the second volume of The Wizard Knight, The Wizard.
Gene Wolfe is one of the most widely praised masters of SF and fantasy. He is the winner of the World Fantasy Award for Life Achievement, the Nebula Award, twice, the World Fantasy Award, twice, the John W. Campbell Memorial Award, the British Fantasy Award, and France’s Prix Apollo. His popular successes include the four-volume classic The Book of the New Sun.
With this new series, Wolfe not only surpasses all the most popular genre writers of the last three decades, he takes on the legends of the past century, in a work that will be favorably compared with the best of J. R. R. Tolkien, E. R. Eddison, Mervyn Peake, and
T. H. White. This is a book—and a series—for the ages, from perhaps the greatest living writer in (or outside) the fantasy genre.

A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.

Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.

But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.

As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.