A Desolation Called Peace is the spectacular space opera sequel to Arkady Martine’s genre-reinventing, Hugo Award-winning debut, A Memory Called Empire.

An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.

In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass–still reeling from the recent upheaval in the Empire–face the impossible task of trying to communicate with a hostile entity.

Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction–and allow the empire to continue its rapacious expansion.

Or it might create something far stranger . . .

Welga Ramirez, executive bodyguard and ex-special forces, is about to retire early when her client is killed in front of her. It’s, 2095 and people don’t usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process.

All that changes when Welga’s client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week.

Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight.

Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood, and what do they really want?

A “fantastic, big-idea thriller” (Malka Older, Hugo Award finalist for The Centenal Cycle series) that asks: if we won’t see machines as human, will we instead see humans as machines?

On the far outreaches of a crumbling desert empire, two women–a princess and a soldier–will haggle over the price of a nation in this richly imagined, breath-taking sapphic epic fantasy filled with rebellion, espionage, and assassinations.

Touraine is a soldier. Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought. Luca needs a turncoat. Someone desperate enough to tiptoe the bayonet’s edge between treason and orders. Someone who can sway the rebels toward peace, while Luca focuses on what really matters: getting her uncle off her throne. Through assassinations and massacres, in bedrooms and war rooms, Touraine and Luca will haggle over the price of a nation. But some things aren’t for sale.