Hundreds of years in the future, Earthmen have moved out into the galaxy of inhabited worlds, only to find that space travelers from Earth are second-class citizens or worse on most of the planets they visit. Joseph Farber, an artist, is part of an Earth colony among the alien Cian on the planet Weinunnach. He is deeply moved by the rituals of the Cian—and by the captivating Liraun, a humanoid Cian. With love between races forbidden, Faber allows himself to be genetically altered so that he and Liraun may marry and interbreed. But the couple soon discovers that the fundamental differences between their very modes of being may lead to tragedy and, perhaps, ultimate revelation.

Dozois is known for his beautiful evocation of setting and emotional intensity within a truly alien and often austere vision of the future. He is a science fiction master of the first order—a fact fully on display in this outstanding collection.

“Lyric, haunting, heartbreaking—this is science fiction at its best.”—George R.R. Martin

To satisfy a public that longs for a savior, Vidal’s eponymous hero of KALKI, born and bred in America’s Midwest, establishes himself in Nepal, puts out the word that he is the last incarnation of the god Vishnu, and predicts an imminent apocalypse meant to cleanse the planet.

This is the story of three people: Sten Duncan, a soldier of humanity; Niun, last warrior of the MRI, humanity’s enemies; and Melein, priestess-queen of the final fallen MRI stronghold. It is the story of two mighty species fighting for a galaxy, humanity driving out from Earth, and the enigmatic regul struggling to hold their stars with MRI mercenaries. It is a story of diplomacy and warfare, of conspiracy and betrayal, and of three flesh-and-blood people who found themselves thrown together in a life-and-death alliance.

“It was a time of pause, a time between planting and harvest when the air was heavy, humming with its own slow warm music.” So begins an extraordinary fantasy of the rural Midwest by a winner of the John W. Campbell, Jr., Award for best young science fiction writer. One summer day in the 1920s, Haverstock’s Traveling Curiosus and Wondershow rides into a small Midwestern town. Haverstock’s show is a presentation of mysterious wonders: feats of magic, strange creatures, and frightening powers. Three teenage girls attend the opening performance that evening which, for each, promises love and threatens death. The three girls are drawn to the show and its performers-a lusty centaur, Angel the magical albino boy, the rowdy stage hands-but frightened by the enigmatic owner, Haverstock. The girls at first try to dismiss these marvels as trickery, but it becomes all too real, too vivid to be other than nightmare reality. Each feels the force of the show and its power to alter everyday lives: Francine is drawn embarrassingly to the centaur, Rose makes an assignation with one of the hands and gets in trouble, and Evelyn is fascinated by the pathetic, mysterious Angel, The Boy Who Can Fly, and together they plan escape. No stranger or more disturbing vision of the dark side of carnival life has been handled with such grace or conviction since Bradbury’s vintage period. With a poet’s mastery of language Reamy brings his circus of characters to a startling, fantastic conclusion.